Arvidnelson.com The online home of Arvid Nelson, writer of Rex Mundi & Zero Killer

18Jan/122

Lord of the Jungle!

Lord of the Jungle #1 front cover, art by Ryan SookMy adaptation of Edgar Rice Burroughs's Tarzan of the Apes hits stores today, like a bloodthirsty, horny ape. I have high hopes for this one, I really do! Dynamite paired me with a, well, dynamite artist, Roberto Castro. If you haven't seen Roberto's art for Fall of Barsoom... here.

Roberto's going for an oldskool Silver Age look for Jungle, and it's paying off hugely. The best thing about his art, for me, is the beautiful, textured backgrounds. You really feel like you're in the jungle, in every panel.

As usual, Dynamite serves up an awesome panoply of front covers, by Alex Ross, Paul Renaud, and Ryan Sook (featured!). Yes, all the knick-knacks Tarzan is wearing are 100% accurate and in accordance with the original novel. That's the big idea behind Dynamite's adaptation of the story – we're trying to do it the "right way", as close to the spirit of the original as possible. Newsarama did an interview with me about the whole thing.

The reviews so far are very positive – thanks, Stephen and Jimmy!

Wayne Hall at scifipulse.net has interviewed me twice about all my writing for Dynamite. The latest is online. Whole lotta Tarzan.

The best thing about Lord of the Jungle #1 is the price – $1. Check out a preview right here, and buy three copies of each cover variant. Rest assured, Dynamite is losing money on each and every purchase!

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17Oct/110

Leopold II: The Devil You Don’t Know

Archtwat Leopold II of Belgium

Not all holocausts are created equal. I learned this in the course of writing my adaptation of "Tarzan of the Apes" for Dynamite Comics. The first issue of Lord of the Jungle is coming out in December – more on that another time.

The original novel is a wonderful adventure story, exactly what you'd expect of Edgar Rice Burroughs. And, as you'd expect, it's also virulently racist, to the point of hilarity. Throughout the novel, Tarzan preys on a tribe of Congolese cannibals. I, for one, can't find any references online to Bantu tribes who actually practice cannibalism. Maybe the inaccuracy is "creative license", but I don't think so. Reserve your own judgement, Dear Reader, until you've read the original.

For all of this, there are fleeting moments of compassion for the tribe. One passage describes how they are on the run from "...that arch hypocrite, Leopold II of Belgium, because of whose atrocities they had fled the Congo Free State."

I had no idea who "the arch hypocrite Leopold II of Belgium" might be, and the "Congo Free State" rang exactly zero bells. Ever the diligent researcher, I decided to look the two up on Wikipedia. Was I ever in for a treat.

It turns out Leopold II presided over one of the first genocides in modern history. The term "Congo Free State" could not be more Orwellian. Leopold ran a country larger than Spain, France, Germany, Sweden, and Norway combined as his personal rubber plantation for twelve years. There's no way to know how many people died. It was probably somewhere between five and ten million people, out of a total population of 30 million. So a pretty Biblical.

Leo's thugs, the "Force Publique", collected the right hands of the people they killed – to prove they weren't wasting ammo, that they were punishing slaves who didn't meet production quotas. Harvesting human hands became an end in itself; hands became a kind of derivative commodity of the rubber trade. Mass rape was a recreational pastime for the Force Publique. In fact, the Congo Free State was the inspiration for the novel Heart of Darkness. In some ways, Heart of Darkness is actually a sanitized version of what really happened.

They actually built a monument to this douchebucket. Stay classy, Belgium.


For whatever reason, some holocausts go not just underreported but unreported. It was one of the things that made me want to write Zero Killer. I mean, I didn't learn about the Congo Free State in school. I didn't learn about the Armenian genocide, either. We brushed over the genocide of the American Indians very lightly in my "Advanced Placement" United States History class.

And what about today? What about Sudan, or the Democratic Republic of Congo, the current name of Leo's killing fields? The truth is, the slaughter never stopped. The DRC is the most brutalized, war-torn and miserable place on the face of the Earth, and has been for the entirety of its existence, all thanks to the horrors of Leo II. The current round of fighting, which began in 1998, is officially the world's deadliest conflict since World War II.

Thanks, Leo.

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8Jun/110

Warlord of Mars #7 In Stores

Warlord of Mars #7 front cover, art by Joe JuskoJust when you thought it was safe to go back to Barsoom. There was some confusion about when this was coming out, and I haven't checked my local comic book shops, but comixology.com assures me it's live today.

Probably Joe Jusko's most spectacular cover to date.

We see a lot more of the red Martian navies in this issue, specifically, the one-man air scouts. All the designs I've seen for the scouts have them as flying canoes. Which is not very cool. So we re-imagined them as jet bikes. You'll have to crack open the issue to see ’em, sorry!

Steve Sadowski did some wonderful designs for the helmets of the air scout pilots. The designs didn't make it into this issue, sadly, but here they are:

Martian air scout designs by Steve Sadowski, image 1Martian air scout designs by Steve Sadowski, image 2Martian air scout designs by Steve Sadowski, image 3

Steve also did an excellent take on the Martian air scout... but that's coming up in Issue 10, the first of his three-issue run on Warlord.

23Feb/110

Mental Carpentry

Warlord of Mars #4 front cover, art by Joe JuskoWarlord of Mars #4 is in stores! And everyone who bothered to give it a review (thank you) seemed to really like it (thank you!). I sort of wish Dejah Thoris, the female lead, were a little more... covered up now that I see her in print.

Oh well! Another five hundred years in purgatory, I guess.

Another amazing set of covers for this one; you can see ’em all right here. One of the best things about this series, for my fanboy mind, is all the fantastic new art. It's wonderful to see the takes contemporary artists have on Barsoom.

Haven't posted in a while; been busy writing (of all things), and I had a bad case of impetigo. The antibiotics made everything taste like rusty sheet metal. Or what I assume rusty sheet metal tastes like. Every week, a new MMA-induced injury. But I love it!

To make up for the gap, I updated "Breaking and Entering" for the first time in a long time. Two new articles, a dire warning, and some advice about writing in general. Hope it's useful!

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5Jan/111

Calling Carlos

One of the best things about writing comics is the many fantastic artists I get to work with. Case in point: Dynamite paired me with Carlos Rafael for the Dejah Thoris series debuting in March.

Just saw the first batch of pages for Issue 1, and they look absolutely stunning. Carlos's drawing of Valian, a character from the series, is exactly how I imagined him. It's rare for an artist's version of a character to match my mental image so perfectly.

I can't actually share these pages, of course, or Dynamite would hunt me down and eviscerate me with a sugar spoon sharpened to a dull edge on dog poop-smeared concrete. But I can show Carlos's concepts for some of the main characters. Click for bigger versions, sort of NSFW:

I love his take on Dejah Thoris. Carlos is from Brazil, and to me Dejah looks very Brazilian. His Mors Kajak and Tardos Mors, Dejah's father and grandfather, are equally Brazilliant, like they're ready to jump into a cage with Wanderlei Silva (as soon as they both get haircuts).

I've been trying to hunt Carlos down, but I haven't had any success, aside from the link above (here it is again) to a little bio page and some of his art. So all I know about him, aside from his prodigious talent, is that he looks kind of like Lyoto Machida, and he lives in Rio.

I did find a video of Carlos, in which he speaks entirely in Portuguese. One can only guess at the torrent of wisdom spilling from his mouth.

And that's all I know, sadly. Sometimes – a lot of times – artists working in far-flung hemispheres will work through a studio that acts as a sole intermediary between the publisher and the artist. That's the case for Carlos, it seems.

Carlos! If you're reading this, know you've got a fan for life in me. It's an honor and a pleasure to work on Dejah Thoris with such a talented chap. I only hope your studio realizes what a gem they have. Either way, you're going to be a great success.

Filed under: (My) Writing 1 Comment